![]() No need to hype yourselves up just tell us your background, what gigs you’ve already played etc and why you'd like to play the Windmill. We do not accept attachments such as audio files. Basically if you look organised, there’s a better chance of us wanting you down, so please enclose: Some of this stuff is really basic but you’d be surprised how few bands do it. If we all work together we’ll have a good night…and you’ll get paid. If you don’t do that you’re not only letting yourselves and us down, but also the other bands on the bill. We trust all bands to try their best to get people to gigs. We do have regular gig-goers at our place but you never know when they’ll turn up so don’t count on a crowd of eager punters waiting for you on your arrival. And, since it’s cheaper to get in than any other venue on the London circuit, we discourage guestlists – you might as well have the money. Performers get 90% of the door money and we divide it up at the end of the night on an amicable basis taking into consideration who brought the crowds, who has touring expenses and who brought the gear. That’s no fun for anyone and we don’t do that. We won’t put on krautrock with folk and punk on the same bill just because we think all three bands will pull 30 people each and the place will look busy. ![]() We try to theme nights so that bands (and their fans) will enjoy the other bands’ music. We will do our utmost to put you on a bill that will fit in with your music. That might sound harsh, but as we can get up to a hundred a day to listen to, we just don’t have the time to respond to everyone. In short …IF WE HAVE A GIG FOR YOU WE WILL CONTACT YOU. WE DO NOT ACCEPT UNSOLICITED ATTACHMENTS so if you send us audio files or PR documents in that format we just bin them.ĭue to the constant workload of putting on 7 shows per week we cannot engage in critique or communication. If you can’t be bothered with providing some basic info, we can’t be bothered listening to you. The best way to contact us for a gig is by email: Include a link to some music preferably on a page that has some biographical info such as were you’re from, what gigs you have coming up and generally a bit of info about yourselves. ![]() We book proactively, in the sense that we hear of good bands from our regulars or bands that have already played the Windmill and get them to play. It’s no good emailing and saying “we’ll ram the place out cos we’ve got lots of mates” if your music sucks. We love good music, and while we need to shift beer to put on nights at low entry prices, we’re first and foremost after quality music. Just drag an absolute minimum of 30 people along and we’ll take their money.Īctually, that’s NOT how the Windmill works. Numark CD Mix USB CD/MP3 Player and DJ Controller Guitar Amps: Vox AC-15 (2017) Fender Blues Jr IV (2018) Fender Bassbreaker 30 (2019) SubZero 30w acoustic amp Marshall 4x4 speaker cab (no head) Chauvet Hurricane 700 fog machine.ĭrums: Yamaha Stage Pro with stands BUT no breakables STANDS: 8 mic stands 4 mini boom 2 keyboardĤ x LEDJ 7QS + Showtec Fademaster 16 DMX Control. MICROPHONES: 4 x SE Electronics V7 2 x Sennheiser e935, 2 x Sennheiser e906 1 x Sennheiser E902 Ħ x Shure SM58 1x Shure 57, 1 x Shure 57 Beta 3 Shure PGA56 drum clip-ons 1 x Audio Technica ATM650 plus a few othersĭI BOXES - 4 x BSS AR133 Active plus 4 others of various brands MONITORS(4): 2 x Yamaha 15” passive wedges + 2 Electrovoice 15" passive + 1 x Mackie Thump 15Active ![]() TOPS: 2x D&B E12 12” speakers + D&B D6 amp SUBS: 2 x D&B E15 15” speakers + D&B D6 amp DESK: Behringer X32 (32 channel digital desk) with stage box (16in/4out)
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